There’s something exciting about reading a book that draws on traditions you’re unfamiliar with, and that goes double when you’re dealing with supernatural forces and old folklore. Telling a story about feuding gangs with supernatural trappings set in the 1800’s is a good hook, but M.H. Boroson’s The Girl with the Ghost Eyes goes further by diving into Chinese folklore, spiritual warfare, and ancient traditions, telling a story that doesn’t feel like anything else I’ve read. And though the book’s writing isn’t the best, the propulsive story, fascinating cosmology, and great characters all make for a great read well worth your time.
Trying to explain the plot is difficult; there’s a lot going on here, even before you dive into the complexity of the cultural traditions being explored. Suffice to say that it’s the story of Xian Li-lin, the only child of a prominent Daoshi exorcist (a man who seems constantly disappointed at the fact that he’s left with only a female child behind). Li-lin is not only in training to succeed her father, however; she has yin eyes, which allow her to see the spirit world around her. Li-lin finds herself being used as part of a plot to get to her father, but the question is, why? Is it a power play by a rival tong? A threat from a malevolent entity? Or something far greater and more dangerous?
The Girl with Ghost Eyes follows Li-lin as she dives into the spirit realm, fights dangerous bodyguards, grapples with ancient incantations, and tries her best to save her father and understand what’s going on. In many ways, it’s pure noir; from the shadowy alleyways of Chinatown to the numerous characters on all sides of the moral spectrum, from the dangerous world of Chinese tongs to a struggle for power, M.H. Boroson plays it all with a heavy (and well-used) glaze of noir toppings.
But in the end, The Girl with Ghost Eyes is most memorable and exciting for the richness of the culture it evokes, and the astonishing visions we get along the way. Back alley marketplaces of demons and spirits. Midnight parades of unimaginable beings. Dark spells carved into skin. Passports that assist in moving beyond the ghost realm. Ancient incantations based on conceptions of death far outside of the Western mentality. An emphasis on saving face, on honor, on gender roles, on ancestry. The Girl with Ghost Eyes doesn’t just slap on a few ethnic ideas and assume that’s good; instead, it immerses you in its well-researched and understood world, bringing it to life on every page, every social interaction, every question of motivation. From the necessary spells to the conflicts between rivals, from family histories to job titles, Boroson brings the era to life phenomenally, giving us a way to experience a mythology and heritage far outside what most of us ever get to.
The Girl with Ghost Eyes isn’t flawless at all; the writing, while never bad at all, often feels functional at best, and occasionally can get a bit too heavy into “telling” instead of “showing”. And yes, that complicated plot sometimes gets to be a bit too much; there are times where it feels like the book isn’t just this one story, but every other idea Boroson had thrown into the background. By and large, though, the book works, keeping you completely hooked into its compelling world and incredibly fleshed out mythology, and investing you in the fate of a young woman who’s desperate to prove herself in the face of every obstacle. It’s a compelling, fascinating story, one whose world and characters are so good that it overcomes the small, forgivable flaws along the way. Here’s hoping there’s more books in this world to come, and a lot more of Li-lin’s story for me to enjoy.