One of my favorite little things about picking up a science fiction short story collection by an author I’ve never read is figuring out what kind of sci-fi I’m getting into. Is this going to be the hard, science-focused work of an Arthur C. Clarke or Robert Charles Wilson? The softer, more adventurous style of something like Star Wars or Dean Wilson’s Coilhunter? The darker, slightly satirical cyberpunk worlds of William Gibson and Neal Stephenson? Am I getting steampunk or post-apocalyptic, philosophical or scientific, satirical or exciting? Or, best of all, will I get some weird blend of all of them?
In many ways, that last one is what I got with Pump Six and Other Stories, my first exposure to the work of author Paolo Bacigalupi. There’s no small amount of cyberpunk to this world; in most of these stories, there’s a sense of a world ruled by corporations and technology, one in which the world and society have changed as a result of the two blending together. From the living organic skyscrapers of ”Pocketful of Dharma” to the bioengineered crops of “The Calorie Man,” from the genetic supermen of “The People of Sand and Slag” to the human art projects represented by the title of “The Fluted Girls,” Bacigalupi is fascinated by the directions that technology is taking us, and where it could go if it’s unchecked by humanity or morality.
And really, that’s more where Bacigalupi’s voice comes through. For all of his fantastical (and often nightmarish) visions, Pump Six is ultimately a series of stories about situations in which humans have allowed their morals to be subjugated by the world around them – a theme that makes for a bleak set of stories indeed. Clans grapple with legacies of violence and xenophobia, and a priest is forced to think about what must be done to end it. A man murders his wife and finds that the world moves on just as merrily as it did before. The last thinking man in a city realizes that the world around him has no interest in knowledge, work, or survival, and no one minds. People are treated like commodities, societies are left to starve in the name of corporate profit, genetic engineering makes monsters in the name of progress – but whatever the situation, the world seems to move on without a single worry.
That all makes Pump Six sound like a more overwhelming and crushing experience than it really is. No, this isn’t exactly a collection of rainbows and kittens, but focusing on the bleak themes doesn’t do justice to the sheer life and imagination on display in these stories. Within a narrow window of pages, Bacigalupi doesn’t just manage to tell a story; he creates complex ecosystems, full societies and worlds with their own history and sense of progress. And his characters get no less care, with Bacigalupi bringing them all to life with the careful sketching and outlining of an artist. Look no further than the tragic life of “The Yellow Card Man,” a man struggling to survive a world that he was once on top of, and constantly battling against the indignities and cruelties that fate has dropped on him. What could easily be a portrait of simple misery becomes more compelling and tragic in his hands, becoming as much a story about how this all happened as it this man’s life.
No, you’ll never mistake Bacigalupi for an optimist. But you’ll also realize within a page that you’re in the hands of a master, a man with ambitious, fascinating visions not just about technology, but about people and their relationships with the world around them. More than that, he brings sharp craft, careful prose, and great storytelling to bear. It all makes for a phenomenal collection, and one well worth reading. Just don’t expect a happy ride in the process.