I’ve really come to feel that Joe Lansdale is all but incapable of writing a truly bad book, and that rule might just be doubly true if it’s one of his “Hap and Leonard” books. With a conversational style, an incredible ear for dialogue, beautifully noir plotting that never overshadows the characters, and humor that keeps everything feeling light even as the material goes dark, the series has been a treat throughout its run, and that streak remains intact for Dead Aim, a novella that follows the characters on a “simpler” case not long after the events of Devil Red.
The plot, as usual for Lansdale (and for noir), starts simply enough: Hap and Leonard are asked to help a woman who’s having some issues with a violent ex. From there, of course, everything gets complicated, as characters show up dead, motivations get questioned, and betrayals abound – in other words, it’s a typical noir story, with double-crosses and uncertainty everywhere. And as usual, Lansdale has a way of taking unexpected turns, or of taking familiar elements in unusual directions; here, while it’s not a surprise that the boys are being played, the reasons for it are more heartfelt and interesting than you might expect.
But really, the reason you read Hap and Leonard books isn’t for the plots; those are the hook that draws you in, sure, but it’s Lansdale’s rich world and fantastic characterization that you really come for, and Dead Aim provides. I could read Hap and Leonard banter and verbally spar for hundreds of pages and never get bored, and the same goes here; there’s a lived-in feel to the characters and their friendship that’s hard to explain, but undeniably present throughout. Moreover, Lansdale manages to bring all of his characters to the same life; yes, everyone in these books has a bit of a smart mouth, but Lansdale makes them all stand on their own, giving each their own personality, even in a short page count. From the wronged woman who may be using those around her to a malevolent hulking man who may be misjudged, Lansdale sketches in his characters quickly and efficiently, bringing them to life so effortlessly that it’s easy to ignore how good he is at it.
Being a novella, Dead Aim by necessity feels a little slighter than the best “Hap and Leonard” books (Bad Chili, for me, holds that title), but in some ways, it’s also a gift for readers, who get something richer than a short story that still holds all of Lansdale’s gifts for pacing, storytelling, humor, and style. And the fact that I get to pick up a bunch of these novellas for a cheap price? That’s a steal for the amount of enjoyment these books bring me. A great read, whether or not you’ve read Hap and Leonard before – and if you haven’t, get on it.